Thursday, September 11, 2014

St Tyl's move

René Magritte
Les mémoires d'un saint
I'm moving St Tyl over to my first blog Le style et la matière.

I hope you will meet with me there.
Many topics concerning textiles over-flow into other domaines. This merging of the two blogs will permit me to be more playful and touch on other topics while continuing to explore textiles with all  the readers and fellow bloggers I appreciate so much.

And now, everything will be in one place -



Sunday, September 7, 2014

Hair of the Beast(s): Angora


via skiourophilia
Jean Honoré Fragonard and Marguerite Gérard
Le chat Angora 1783


 The painting was the collaborative effort of two artists.
"Marguerite Gérard and Jean-Honoré Fragonard worked so closely together – sharing a studio in the Louvre – that the paintings of  one are occasionally attributed to the other. For a long time Gérard, who was Fragonard’s sister-in-law and pupil, was thought to be the sole painter of this work, but it is now considered to be a joint production by both artists."
(The Wallraf-Richartz Museum)

Anyone would admit that it is the cat poised to attack his reflection in a gazing globe that steals the scene here. The Angora was the first long haired cat to arrive in Europe. Angora was the ancient name for Ankara, the capital of Turkey. Once in France, these companions were royal favorites from Louis XIII up to Louis XVI. Their elegance represented another facette of luxurious court life.

This charming genre scene shows an admirable rendering of satin folds and a colorful, long  fringed Turkish rug cascading off a table, but why is the painting, The Angora Cat, on St Tyl today? 



a modern day angora cat
source: Wikipedia.fr
With a wave of its paw, the cat in the painting has reminded me of other angora fibers that have nothing to do with cats. Or do they? Do they all come from Turkey? 
Some say that it is the silky fur of this popular puss that gave its name to the rest of the angora animals.


a French albino angora rabbit
source: Wikipedia.fr
Despite the existence of angora cats, sheep, and goats, the wool of the angora rabbit is the only fiber to be labeled as such in the textile industry. Its hollow hair causes its loft --the characteristic fuzzy, floating quality associated with angora fibers. It is much warmer than sheep wool, but since it is extremely fine and fragile and not very elastic, angora wool is rarely used alone. 

Some of the best quality angora fibers are obtained by combing the rabbits over-abundant coat at sheeding periods though shearing and other more violent methods have been decried in recent years.

an angora goat
photo: MH Perraud
Mohair France

 The fleece of the angora goat provides the wool called mohair.
From Turkey via Tibet, the word mohair comes from the Arabic  mukhayar meaning the best or most beautiful one. This lusterous, silky fiber is known for its beautiful color variations and its durable strength. (Strangely, the word mohair will then provide the term moire; my guess is that those shaded colors bore a resemblance to the ondulations of watered silk.)
Mohair doesn't stretch or pill so it is ideal for both high quality clothing and upholstry.

Wednesday, September 3, 2014

Fabrics in the Louvre, bis

photo St Tyl
Salon Pisani
  named for it's ceiling fresco (not shown here) originally located in the Palazzo Pisani à Venise 
Tapestries: The story of Don Quixote  1732-36

photo St Tyl
reproduction à l'identique of an 18th century chinoiserie silk
Tassinari & Chatel

photo St Tyl
fire screen with tapestry from the
Manufacture de Beauvais 1690-1750

photo St Tyl
salle Château d'Abondant
 mid 18th century

photo St Tyl

photo St Tyl
Reproduction of an 18th century painted silk
from Château d'Abondant

Tissus Pierre Frey